OVER-GAIN OPTIMAL DEATH 'Die Underground' Molten Red LP

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artist: OVER-GAIN OPTIMAL DEATH
title: Die Underground
catalogue # REPOSELP144
format: Vinyl LP (Molten Red)
barcode # 5051142062963
shop release date: March 28th 2025

LP Tracklisting

A1. Die Underground (5:49)
A2. No Lord (10:28)
B1. Oversleep (4:56)
B2. Fallen Woman (14:07)

OVER-GAIN OPTIMAL DEATH’s Die Underground, an ethos and curse, breaks the 4th wall through psychedelia’s dark side.

A critique and embrace of self-destruction, esoteric vanity and inevitable ruin. The molten-red LP on Riot Season Records plunges deep into an abuse of distortion, existential doom and primal Stooge-like chaos.

LA’s Acid Punk Power Trio returns to its mark 1 line up, now wielding a second addition in twin-drum assault courtesy of TJ (P.S.F./Deathchant)

OVER-GAIN OPTIMAL DEATH are

Jasso : Guitar/ Vocals
Luna : Bass
Backhaus + TJ : Twin Drums

Jasso (guitar/vocals) is seemingly out for blood on this 4 track studio album, leading a violent dive into the abyss, Japanese Underground fury meets Hendrix’s wreckage, fuzz-drenched wah freak-outs compete against raw punk vocals caught in an endless slap back delay…

Die Young, Die Broke. A new mantra for the most depraved connoisseurs of Psychedelic Punk.

For fans of Mainliner, Brainbombs, Les Rallizes Denudes, Stooges, Motörhead ...

“None heard a sound… DIE UNDERGROUND”

OVER-GAIN OPTIMAL DEATH are an Acid Punk power trio formed in 2008 hailing from Los Angeles, and now currently hiding out somewhere in the South of France.

Fronted by guitarist/ vocalist Jasso (Psychedelic Speed Freaks, Antarcticans), they push a special niche product of blown-out extreme psychedelic noise rock. Their sound is enveloped in a total nihilist

"No Hope" atmosphere of heavy lyrics and distortion, mating intoxicating pulsing repetition, hyperactive improvisations and out of body guitar solos.

Resurrecting US 60s punk and acid-riffage from the likes of Blue Cheer, the Stooges, MC5 and live Hendrix Experience, OVER-GAIN OPTIMAL DEATH also draws greatly on the in-the-red sound aesthetic and high energy of the Speed Freak Underground and Hardcore scene of 80s/90s Japan.